Headphone listening: space, embodiment, materiality

In this thesis, I adopt an empirically driven phenomenological approach to study the perceptual experiences of contemporary headphone users, analysing data collected through interviews with an array of listeners to crystallize novel conceptual models. While existing headphone-listening research has attended more precisely to sociological concerns, the project of the thesis is to engage in greater depth with the perceptual-phenomenological realities of such practices and their philosophical, cultural, and aesthetic consequences, drawing especially from Maurice Merleau-Ponty’s embodied phenomenology of perception to do so. I ask a series of research questions that probe various facets of headphone listening, all of which are constructed in the light of three relationally conceived themes: space, embodiment, and materiality. First (Chapter 2), I investigate the perceived spatial location of headphone sound in relation to the body, interrogating certain issues surrounding the phenomenology of in-head sound localization to theorize the notion of sonic floodings. Second (Chapter 3), I account for the intimacy of listening to mediated voices through headphones, examining how the body of the voice is perceived in spatial terms to conceive of the intercorporeal incorporation of virtual bodies during headphone listening. Third (Chapter 4), I move to the edges of the body, investigating how the materiality of headphone technologies can enter into a listener’s awareness over time as a fleshly extension of the listening body. Fourth (Chapter 5), I query the received portrait of headphone listening as an intrinsically anti-social practice by attending to the interpenetrations of the ‘interior’ and ‘exterior’ lifeworlds of the headphone user. The result is an account of headphone listening that aims to challenge, nuance, and extend prevailing scholarly accounts, one structured as an embodied-spatial trajectory that blossoms outwards from the perceived interior of the lived body through the skin towards the wider intersubjective lifeworld